Cast: Pooja Gandhi, Ravi Shankar, Nisha Kothari, Raghu Mukherjee, Sudharani, Markand Deshpande, Ravi Kale, Kari Subbu, Jai Dev, Muni, Petrol Prasanna, Yathiraj
Camera: Venkat Prasad.
Writer: Sreenivasa Raju
Director: Srinivas Raj
The 11 associates of a criminal activity group have been captured and being tormented by police. The innovator of the package confesses their brutalities and solutions why they always cunt throats rather than stabbing or eliminating in other style. Wonder why? The satisfaction of listening to the ‘hiss’ audio when reducing the throats create them to destroy in the same way every time. This is the starting landscape of the Dandupalya and informs directly away that it is not for a lily-livered. Dandupalya is the notorious criminal activity group that propagate horror in and around Bangalore by slitting the throats of females and the outdated before raping and taking them in delayed 90s. Film director Srinivasa Raju has tried to carry their barbarous functions on-screen. A number of men, mainly from Dandupalya, goes into the town and creates the town to stay under worry. Their strategy is simple: A lady (played by Pooja Gandhi) from the group discovers a right home for the theft where only or seniors stay and trips the home asking for water. When the citizen goes in to carry the same, the group associates get into the home. They strike, group sexual assault and eliminating them and rob money and valuable items. The surprising part of the tale is that they could destroy anyone for a few countless numbers or a small item of silver decoration and they can eat anything such as epidermis of donkeys. They were also utilized by Bhat (Doddanna), a attorney, who uses them for several of criminal offenses by spending nuts. The search for their leads starts after the rate of the killings and break-ins surprisingly improves and Chalapathi (Ravi Shankar) is being allocated the job of discovering them. In between their tale, there is a satisfied really like a record of a several (Raghu Mukherjee and Priyanka Kothari) and there is also Bhavya, who performs the part of Raghu’s mom. His way of life becomes agony after the two important lady of his way of life were raped and killed by the same group. However, Chalapathi controls to police arrest one of the associates of the group that paves way for arresting all the men from the group. The tale of the film is as well-known as phrases. Especially, the people residing in Bangalore from 90s are conscious of their functions. However, the director has did not create it as a viewable event. It seems like Srinivasa Raju has composed the program depending on the reviews released by criminal activity tabloids rather than absolutely learning the topic. The assault is glorified, which is appropriate as it is depending on actual way of life occurrences, but a film should have something more than the weakling functions. Their background scenes, why and how they took murderous direction and who were behind their functions could have made this movie a amazing item. It is significant that the film brings mild on their way of life, meals environments and way of residing, but it is not enough to create the viewers to sit on their chairs for two-hour plus with blood vessels and only blood vessels dropping on-screen. However, the stars in the film incredibly execute in their tasks. First of all, Pooja Gandhi is the life saver of the film. For all those, who criticised her for not being a fantastic celebrity, do observe the film to see the other part of Pooja. The way she cigarettes beedis, seated and mouthing the dialogues have to be recognized. Her human body gestures is incredibly fantastic and her outfit enhance each other. Last but not least, her epidermis display is a cure for public. The other associates of the group performed by Makarand Deshpande, Ravi Him, etc., have done rights. Raghu Mukherjee and Priyanka Kothari look amazing, Bhavya and Sudharani have restricted tasks and the option of Ravi Shankar does not seem to have proved helpful fantastic for the film, as he is not amazing in the highly effective part. Officially, Arjun Janya’s songs goes unseen and Ram Prasad’s cinematography is fantastic.
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