Cast: Balakrishna, Parvati Melton, Isha Chawla, Jayaprakash Reddy, others
Producer: Ramesh Puppala
Written by: Ravi Chavali
Cinematography: T Surender Reddy
Editing: Goutham Raju
Nandamur Balakrishna has already applied several information in his past movies Simha, Sri Rama Rajyam and Adhinayakudu. Many in the market think that it is developing a appropriate foundation for governmental access by featuring several socio-political problems in the condition. Now, the acting professional has doled out another concept to the community as a correspondent in his newest getaway Srimannarayana. Balayya’s Narasimha Swamy character will absolutely stone.
Srimannarayana (Balakrishna) is a highly effective correspondent operating in a information route TV6. His co-worker (Parvati Melton) drops her center to him, but he is in really like with his sister-in-law Bhanu (Isha Chawla). His dad Narayana Murthy (Vijaykumar) types Jai Kisan Believe in and gathers contributions from farm owners. But reverend Help Reddy (Jayaprakash Reddy), financial institution administrator Rajan Modaliyar (Kota Srinivasa Rao), Dr Srikar Prasad (Bapineedu), IG Marthand Rao (Rao Ramesh) strategy to scam the cash and seek advice from regional don Puli Kesav (Supreet) for the same. They destroy Narayana and implicate his son in the killing situation and deliver him to prison. How he shows himself to be simple and requires vengeance upon them will type the center of the tale.
Performance: Balakrishna seems to be youthful than his age on the display and he really looks attractive in the film. Choreographers have given very fashionable goes to Balakrishna, who has revealed lot of convenience in dances. His activity series have been taken well. There are several impact dialogues and some seem to aim at frauds of The legislature management. Both Isha Chawla and Parvati Melton have loaded the charm port and there is not much opportunity for them to execute. Suresh has done well as a highly effective rogue and other artistes have done rights to their tasks. Dharmavarapu, Duvvasi Mohan, MS Narayana, Krishna Bhagawan tried their best to carry fun in the film.
Technical: Chakri has given huge songs to all the songs, which are sure to stone front-benchers. Choreography matches the flavor of Balayya lovers. The backdrop ranking is excellent to pay attention. The impact dialogues, specifically intended for Balayya, are excellent and highly effective. Though some of the funny dialogues have dual significance, there is less vulgarity when you pay attention. Surender Reddy’s photographic camera is awesome to look at as all the graphics are very awesome and provides a awesome sensation. Gauthamraju’s modifying is sufficient.
Ravi Chavali has composed a tale maintaining Balakrishna’s picture in perspective, but he has cut brief many of his actions. The film director has a limited hold on the narration, which allows him to make an impression on all sessions of viewers. All the psychological scenarios have been handled with warning.
Remarks: The film has no Balayya’s extras. Though the film has impact dialogues, they are regular in a newspaper profession. Observe the film without any objectives and the film would definitely give excellent enjoyment.
Cast: Balakrishna, Isha Chawla, Parvati Melton, Vijaykumar, Suresh, Vinodkumar, Kota Srinivasa Rao, Jayaprakash Reddy, Bapineedu, Rao Ramesh, Nagineedu, Supreet, Dharmavarapu Subrahmanyam, Krishna Bhagawan, Ahuti Prasad, Dharmavarapu Subrahmanyam, MS Narayana, Raja Ravinder, Duvvasi Mohan, MS Narayana, Sudha, Satyakrishnan and others.
Dialogues: Poluri Ghatikachalam; Music – Chakri; Camera – T Surender Reddy; Editing – Gauthamraju; Art – Nagender; Provides – RR Movie Makers: Manufacturer – Ramesh Puppala; Story, Movie script and Route – Ravikumar Chavali.
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